IN REVIEW
JULIA (2022)
PUBLIC BROADCASTER FOUND A WAY AFTER A WHILE
By PETER THOMAS BUSCH
French cooking never got such good treatment as that given by Julia Child.
...
IN REVIEW
LAMBORGHINI (2022)
LAMBORGHINI PLAYED WITH GREAT IDEAS ALL HIS LIFE
By PETER THOMAS BUSCH
The Lamborghini 350 GT was not just fast but at the time of product ...
ENCORE 1, 2, 3
CRIMES OF THE FUTURE (2022)
HUMAN LIKENESS FOUND IN FUTURE MEDICAL SCIENCE
By PETER THOMAS BUSCH
The master of body horror paints civilization in an ent ...
SERIES IN REVIEW
GEORGE & TAMMY (SERIES 2022-2023)
LONG DRAWN OUT EMOTIONS INSPIRE SONGWRITING
By PETER THOMAS BUSCH
Director John Hillcoat uses an ‘all or nothi ...
ENCORE 1, 2, 3
A MAN CALLED OTTO (2022)
OTTO MAKES THE MOST OUT OF EVERYDAY LIFE
By PETER THOMAS BUSCH
A little piece of everybody is that home improvement person in t ...
SERIES IN REVIEW
BILLY THE KID (2022)
CHARACTERS GEAR UP FOR THE LINCOLN COUNTY WAR
By PETER THOMAS BUSCH
The wild west was run by business people, cattle ranchers and ...
IN REVIEW
TILL (2022)
LYNCHING TRIGGERS US CIVIL RIGHTS MOVEMENT
By PETER THOMAS BUSCH
The trip to the Mississippi Delta begins in Chicago with the exchange of a watch bet ...
IN REVIEW
THE FABELMANS (2022)
FANS GIVEN PICTURE OF DIRECTOR'S COMPELLING PRIVATE MOTIVATIONS
By PETER THOMAS BUSCH
The child in the childhood is still finding joy in ...
ENCORE 1, 2, 3
BABYLON (2022)
ROBBIE PERFORMS COMPOSIT SKETCH
By PETER THOMAS BUSCH
There are movies and then there are movies about the movies.
Director Damien Cha ...
