IN REVIEW
A COMPLETE UNKNOWN (2024)
CHALAMET RECREATES SPACE GIVEN TO BOB DYLAN IN FOLK MUSIC CULTURE
By PETER THOMAS BUSCH
The title character reference could not be furthe ...
OTC50 joins the Streaming Film Festival Biopics (SFFB) to launch the award ceremony countdown to February 2025 with IN REVIEW BONHOEFFER
CHECK OUT THE FESTIVAL WEBSITE FEATURING MCQUEEN'S BLITZ ...
BLOCKBUSTER
WICKED (2024)
BLOCKBUSTER MUSICAL MAKES FOR ON SCREEN ENTERTAINMENT
By PETER THOMAS BUSCH
A time before the Wizard of OZ was a happier time, if one can believe t ...
IN REVIEW
MARIA (2024)
SINGER TURNS FINAL DAYS INTO PERFORMANCE OF A LIFETIME
By PETER THOMAS BUSCH
Director Pablo Lorrain spins out a psychological drama about famous 20th ...
BLOCKBUSTER
GLADIATOR II (2024)
SCOTT THROWS EVERYTHING INTO THE ROMAN COLOSSEUM FOR GLADIATOR II
By PETER THOMAS BUSCH
The extended opening scene sequence depicting the Rom ...
IN REVIEW
BLITZ (2024)
MCQUEEN RAISES ART LIKE LAZARETH FROM THE FIRE STORMS OF THE BLITZ
By PETER THOMAS BUSCH
The world has heard the horrific war story before, but like L ...
SERIES IN REVIEW
SO LONG, MARIANNE (SERIES 2024)
POETS AND THEIR LOVERS BECOME POPULAR CULTURE DYNAMOS
By PETER THOMAS BUSCH
The bits and pieces of creative genius gathered ...
IN REVIEW
THE BIKERIDERS (2024)
COMER, HARDY, BUTLER AND HARLEY MAKE COMPELLING DRAMATIZATION
By PETER THOMAS BUSCH
The motorcycle club exists because of the riders love for ...
IN REVIEW
LEE (2024)
FILM MEETS PHOTOGRAPH IN SUBTLY COMPELLING STORY TELLING STYLE
By PETER THOMAS BUSCH
The medium frame reflex camera was an instrument of beauty with the ...
BLOCKBUSTER
MEGALOPOLIS (2024)
DIRECTOR PULLS INVISIBLE STRINGS TO MAGICALLY BRING ABOUT CHANGE
By PETER THOMAS BUSCH
Director Francis Ford Coppola captures the gently falli ...
