IN REVIEW
PRISCILLA (2023)
RENAISSANCE FILM FOR SOFIA, THE FILMMAKER
By PETER THOMAS BUSCH
The omniscient creator of the back story proves again to be a sublime provocateur ...
IN REVIEW
KILLERS OF THE FLOWER MOON (2023)
SCORSESE DELIVERS ANOTHER PIECE OF THE MASTERPEICE
By PETER THOMAS BUSCH
Director Martin Scorsese explores the dark history o ...
IN REVIEW
BOSTON STRANGLER (2023)
JOURNALISM POLICING THE BIG CITY TOGETHER
By PETER THOMAS BUSCH
One of the great haunts of a modern high density city is the unchecke ...
IN REVIEW
JULIA (2022)
PUBLIC BROADCASTER FOUND A WAY AFTER A WHILE
By PETER THOMAS BUSCH
French cooking never got such good treatment as that given by Julia Child.
...
IN REVIEW
TILL (2022)
LYNCHING TRIGGERS US CIVIL RIGHTS MOVEMENT
By PETER THOMAS BUSCH
The trip to the Mississippi Delta begins in Chicago with the exchange of a watch bet ...
IN REVIEW
I WANNA DANCE WITH SOMEBODY (2022)
STORY OF SINGER TOLD IN HER SONG AND THE SCRIPT
By PETER THOMAS BUSCH
The Whitney Houston biopic splices the full songs of ...
ENCORE 1, 2, 3
TAR (2022)
BLANCHETT PERFORMS ICONIC CHARACTER STUDY
By PETER THOMAS BUSCH
The world’s most iconic orchestra conductor endeavors to be the first to c ...
IN REVIEW
BLONDE (2022)
ARMAS CLEARS HER BACKSTORY FOR FAMOUS FILM ACTOR ROLE
By PETER THOMAS BUSCH
The newest biographical take on one of the most memorable pop cultu ...
SERIES IN REVIEW
SANTA EVITA (2022)
MAGIC REALISM SPINS THREE DIFFERENT TIME NARRATIVES INTO ONE
By PETER THOMAS BUSCH
Eva Peron obtained political cult status by teac ...
IN REVIEW
ELVIS (2022)
EXCITEMENT OF GLOBAL SUPERSTAR RECREATED
By PETER THOMAS BUSCH
The Elvis Presley story has been told and retold and spun more often than not int ...
